Wednesday, July 1, 2009

Kayak 3.0, Contemporary Builders; Brian Schulz, Cape Falcon Kayak

East Greenland Replica fron Nuuk, ca. Mid 20th C. Greenland National Museum




Deck fittings. Brian had this to say about this Qajaq:

"The mysterious East Greenland kayak, ultra low volume, fast, manuverable. Let's be clear, there is not a lot of stability in a boat of this type. The kayak will spear through all but the smallest waves. It will not roll as well as a West Greenland boat with a more bouyant cross section. Yet, despite all this, it remains one of my favorite kayaks. There is something so sweet about slicing it across flat water, silent, easy and intimate. The East Greenland kayaks are just something you see and fall in love with, and that's a good enough reason as any to build one. "





Brian Schulz' latest experiment, the Rhino




Rhino in the surf




My favorite, the F1




1935 Sisimuit Replica, which Brian considers his favorite Greenland Qajaq.




Brian built a skin on frame version of Joel White's Shearwater and cruised it inthe Sea of Cortez, Mexico.





camp






all photos courtesy Brian Shulz, Cape Falcon Kayaks




Brian Schulz is obsessed with kayaks, their design, their construction, their performance. Although he occasionally builds another kind of boat, his production and interest and experimentation is almost exclusively with skin of frame kayaks. Well versed in traditional kayak design and construction, Brian doesn't shy away from working with newer designs and concepts to achieve a desired result. What we find here is exuberant, robust and intriguing. His website is a must, and Harvey Golden assures me that Brian's building classes are a great introduction into the world of traditional kayak building, whether one is looking to build a traditional Greenland style, a Baidarka or one of Brian's more contemporary designs. You can also commission Brian to build you one of many designs. The Cape Falcon website includes a wealth of information, and is frequently updated with Brian's latest research project. Before you plunk down 4k on that latest kevlar boat, glimpse where it all came from and why a skin on frame might serve your purposes better. I think Brian makes a good case. Brian Schulz is also a very active participant in the Qajaq USA Greenland forum and you can learn tons about these type boats there.

Thursday, June 25, 2009

Design request


I am looking for a designer who could handle an unusual request. I'd like a 19' to 21' cat yawl junk rigged twin keel stitch and glue designed for the amateur builder. Small cockpit and larger cabin. Bluewater capable. No engine, sculling sweeps acceptable. Reverse shear.

I put up a picture of Kite, a Robert Tucker designed Debutante, because she's the closest I've come.

Any ideas? If you are a designer and intrigued by this proposal, or if you are a reader and have knowledge of a designer who might take this on, email me. My email address is at the upper right of this page.

Tuesday, June 23, 2009

Philadelphia Wooden Boat Festival, Independence Seaport Museum

Here are some of the boats, from the bottom, Pepita, a
elonseed Cat designed by John Brady; a Cerlew built by Phil Maynard; a Delaware Ducker owned by the Museum and a Celebrity class racer, Mudhen.


Wendy Byar likes to stand up when sailing her 13' Lowell semi dory.
This is a Salibury Skiff built in1989 and originally owned by Wendy's Grandfather.
Wendy is a mainstay of the WOW and has a blog documenting the workshops progress here.
She tells me she has 10 or 11 other blogs, one devoted exclusively to sailing, but I'll let you know.




Here Wendy takes my brother John for his first sail, ever!




Mighty Sparrow is an Abaco Dinghy built by Thomas Winer Malone in 1957. Malone is recognized as one of the foremost boatbuilders in the Bahamas, having built over 200 of these boats. She's owned by the Florida Maritime Museum and was trailered from Cortez, Fl. to the festival by the director of said museum, Roger Allen, also a member of the TSCA National Council. Roger formerly was director of the Philadelphia Maritime Museum, which became the ISM, and initiated the Workshop on the Water.




On the river.



Painted in tradional Bahamian colors, she's built of madiera, horseflesh (woods, not wine and...) , Bahamian cedar and other traditional woods.







Phil Maynard and Mike Wick ready their boats for an afternoon sail.



Mike Wick coming back in. Mike's boat, Pepita is a 'Melonseed Cat', so called by her designer, John Brady of the Workshop on the Water. She was built by Carl Weissinger. Mike is the president of the Delaware River chapter of the TSCA.


Here's Mike's lovely Pepita at rest.




John Brady built this Delaware Tuckup, an early racing class which originated on the Delaware River.




Heading out of the basin into the Delaware river.







Nice boat.



Phil Maynard coming about in his Edwin Monk designed Cerlew. Phil built her himself.



Coming into the basin.
Phil has made some modifacations to the original design. Read about them here.


Built by Nick Roth 1977-78, Gwylan (Welsh for seagull) was commissioned by and owned until 1985 by John Cadwalader of Philadelphia, a major player in operation Skyhook. She's now owned by Roger Prichard who has done major restoration. She's an Herreshoff H28 and Roger has singlehanded her , mostly, including a nine day sojourn on the Chesapeake. Roger sails out of Riverton, NJ and brought her over to Philly for the festival.




Nice and comfy with a stove to boot.



Here's Barbara Monson rowing Ted Kilsdonk's Asphodel, a Jim Michalek design.




Ron Gibbs' Mudhen, a Celebrity class boat, built in 1963 to a 1931 design, still a viable racing class which originated in Northern Holland, in the Friesland area, They were originally cat rigged but over the years became sloop rigged. Ron rebuilt the centerboard box and the floors on this boat.




Nice day.


All photos Thomas Armstrong





The Indepedence Seaport Museum held it's second Wooden Boat Festival last weekend. The Traditional Small Craft Association held their annual meeting here, and brought lots of beautiful small boats. In it's second year, the Philly festival is still a nascent affair, with lots of potential for growth. It has a beautiful hosting facility, is centrally located in the mid Atlantic region with many great classic wooden boats, both large and small, within striking distance.
There was Elf up from it's Chesapeake home, and the recently launched Silent Maid, Gwylan, an Herreshoff 28, and numerous smaller traditional and not quite traditional craft. It rained. But the spirits of the participants and the visitors were undampened. Good wind for part of the day made for some exciting sailing on the Delaware River. My brother John had his first ever sail! This event has all the elements in place to become a major event. Let's make it so.

Thursday, June 18, 2009

Kayak 2.4, Historian/Builders: Wolfgang Brinck

Wolfgang Brinck's treatise on constructing an Aluet Baidarka




Wolfgang in his famous cedar Aluet paddling hat




First boat, to a plan by H. C. Petersen




Inspecting a frame at the Phoebe Hearst Museum




Wolfgang's second build was this Atka from the Phoebe Hearst Museum in Berkeley




Here receiving an overhaul after 17 years of service.




King Island replica,




showing it's potential for a sleep aboard


The king island's frame


The Aluktan gym with frames building




Don Jon Tcheripanoff, one of the students, inspecting his frame




Karen Vincler lashing frames to ribs




Karen with her finished frame



all photos courtesy Wolfgang Brinck




Wolfgang Brinck has been building traditional skin on frame kayaks since 1987. His first one was a Greenland Qajaq from a design found in HC Peterson's book. He soon turned his attention to aluetian baidarka, building replicas, doing research, and finding plans but scant information on construction . He decided to write a book on the boats and how to make them, and it was published in 1993. He also began testing his builds, paddling boats year round on Lake Michigan. He along with Martin Honel and Dan Joyce co-founded the NativeWatercraft Society, in 1991, which sadly is no longer with us. As his reputation grew, Wolfgang gradually moved into a didactic role and began teaching others to build the boats he was so enamoured with, in addition to building them himself, sharing his knowledge and enthusiasm. Teaching gradually became a major focus, and after a decade of helping others build boats he was invited to the Aluetians in 2004, specifically by Akutan high school, to help lead a group of high school students in building several replica Baidarka. By the time Wolfgang left, the first Baidarka launched in the area since 1930 was on the water!
Wolfgang maintains both a website and a weblog dedicated to skin boats and his activities, and they are both very worth your time and full on information on building and paddling traditional skin boats. Please visit.

Sunday, June 14, 2009

Silent Maid: SPLASH!...the launching of an historic replica @ the Independence Seaport Museum

Catboat,Silent Maid
LOA: 33'
Beam: 12'6"
Draft: 2' 6" Board up
Sail area: 960 sq. ft.
Commenced: November 18, 2004


Silent Maid was designed by Francis Sweisguth and built by Morton Johnson of Bay Head, NJ in 1924. Intended primarily as a cruising boat, she was capable of some speed and was the B class catboat champion on the Barnegat Bay in 1925. We are building a copy of Silent Maid to sail on the Barnegat Bay and the original boat will become a museum piece. In this way the original is preserved with all of her history intact yet the experience of sailing an early 20th century catboat is still available.




My first view of her.


Stern view



Bow


Volunteers rigging the forestay



John Brady, the Workshop on the Water's manager, head builder and guiding light, overseeing the preparations.



Fitting the cockpit benches.



The indispensable Newt Kirkland making final cuts to the benchtops in the workshop.



Russ and Julia Mannheimer came up from Barnegat Bay for the festivities.
They own Sjogin, (see a previous post).



That's longtime volunteer Wendy Byar rigging the mooring lines. Wendy has built some 50 odd boats and blogs about it here.



Up the mast in the bosun's chair, making some last minute preparations.



...like removing this piece of carpet.



Karl Schoettle, grandson of Edwin J. Schoettle, was one of many relatives of the builder and owner of the original Silent Maid present.
Edwin built her in 1924 and owned her until 1948.



She's up...



And in!



John tosses the mooring line.


Setting the fenders.



John Brady with a look of satisfaction (I think). He should take satisfaction in a job well done. With her bright hull and meticulous workmanship throughout, Silent Maid is worthy of pride.



Down below she is spacious with lots of headroom, lots of lockers, clean and neat.



And gorgeous.



That's my brother John (red shirt) who's been volunteering at the museum library and invited me to the event. We had a great day, thanks John.



Lori Rech is the museum's President.



The party moves onboard as John and I depart.



Time for one last shot.


All in all it was a wonderful afternoon. John and I, not realizing the scope of this launching, were expecting a small informal gathering. Imagine our surprise and delight to find a huge crowd, live band and a catered affair, not to mention an open bar! We felt a little underdressed, but I suppose it's not the first time. John had done some work last year surveying a part of the Museums collection and liked the place so much he's gone back to volunteer in the library. It's a very impressive museum, especially with the active boatshop producing such excellent work. A recent exhibit, Skin and Bones, Tattoo's in the Life of the American Sailor has been receiving high praise, including this double thumbs up review in the New York Times. Next weekend, the Traditional Small Craft Association is holding it's Annual Meeting to coincide with the Seaports' Wooden Boat Festival, this Saturday, June 20, 1-4 pm. See you there.

And a big thanks to the owners of this boat, Peter and Cynthia Kellogg and Jane and Shepard Ellenberg, for making all of this possible.


postscript: Gavin Atkin of intheboatshed today (6/19) posted this piece on Edwin Shoettle's classic book from 1928, Sailing Craft, and has included some of his own musings on the catboat. There are picture's and plans of the original Silent Maid along with other catboats of the day. Don't miss this.

Northing, Final, by Creed O'Hanlon

Skellig Michael , courtesy Creed O'Hanlon




Superachillles in the Shetlands, courtesy Creed O'Hanlon





An inaccurate map of Shetland from the Carta Marina of 1529, courtesy Wikipedia




Align Center
Shetland Islands, coutesy Eyefetch




Shetland Islands, coutesy Eyefetch





Shetland Islands, coutesy Eyefetch



Skelligs: 51° 4’ The 'N, 10° 3’'W We plotted a course north from the Skellig Islands, seven nautical miles off the coast of County Kerry, to Achill Head, the westernmost island extremity of County Mayo. It spanned more than 140 nautical miles of open ocean across the wide gulf of the Irish west coast. Off Achill Head, we would alter course again and with luck, carry the prevailing south-westerly wind all the way to Eilean Barraigh, in the Western Isles of Scotland, the so-called Outer Hebrides.
Skellig Michael, or Great Skellig (from the Gaelic “sceilig” or “sea rock”), the largest of the two Skellig Islands, is a forbidding spire of slate-grey rock that thrusts 215 metres straight out of the Atlantic. It looked like the peak of an underwater alp, materialising out of a grey sea mist to loom less than a mile ahead of us as we headed a south-going tidal stream in a light breeze. As we closed it cautiously, we could just make out some of the 670 steps carved into its face to form what the writer Geoffrey Moorhouse once described as “a stairway to heaven”. The steps actually lead to the remains of an abbey established in AD560 by St Fionan, a follower of St Brendan, with whom, legend has it, Fionan sailed from the Aran Islands, further north, all the way across the North Atlantic to Nova Scotia in an open, leather-hulled curragh. It was from the peak of Skellig Michael – where, a reference from the third century recalls, Daire Domhain, the legendary “King of the World”, rested before an epic battle of a year and a day against the giant, Finn McCool (Fionn mac Cumhal), and the Fianna, a band of noble, bardic warriors – that St Patrick, aided by an apparition of the archangel St Michael, banished the last venomous snakes from Ireland for all time.
Skellig Michael’s desolate grey slopes are pocked with crude, igloo-like hovels – the rough-hewn stone walls are nearly a metre thick – and small cells carved into almost sheer rock faces. There, for 600 years, hermitic monks managed to eke out a hard-scrabble existence comprising prayer, scholarship and the routine chores of survival.
We ghosted between the ragged peaks of Great and Small Skellig, stood out to sea. Another few hours brought the coast of County Galway abeam, a green-black smear low on the eastern horizon. Here, with a simple running fix plotted on a chart in pencil, I closed the circle of a voyage that had began in the 1850s, when both my paternal great-great-grandparents and their families sailed from these shores to Portland in Victoria. None was a seafarer, and the long voyages they made aboard three-masted sailing ships, south through the Atlantic and east about the Cape of Good Hope to run hard before the relentless gales and high seas of the Roaring Forties, were likely the first time any of them had ever ventured on the ocean. Up to their eyes in debt as tenants on small, rural lease holdings, near inland villages where their descendants still live today, they must have clung to the hope that their new lives as free settlers – as goldminers, farmers, graziers and policemen – in what was, not long before, just a far-flung English penal colony, would be better than the ones they had left behind.
My reasons for returning – and for sailing even further northwards, to islands long abandoned by whole communities that, after several generations, were finally defeated by the isolation and hardship of these unsheltered, gale-lashed shores – were less clear. My voyage was a voyage of hope and discovery, not to new lands, but to lands so old that it was as if there was never a time in which they had been unknown, unexplored. And somewhere between one distant landfall and the next, there was a vague chance the past might help me to decipher an incomprehensible present.




Saturday, June 13, 2009

Northing, part 4, by Creed O'Hanlon

Caernarfon Castle, courtesy Wikipedia




An Ordnance Survey map of Anglesey from 1946




Bryn Celli Ddu Burial Chamber, near the town of Llanfairpwllgwyngyllgogerychwyrndrobwll-llantysiliogogogoch




Caernarvon: 53° 08’N, 04° 16’W In the dead of night, it was hard to make out the blinking lights of navigational buoys marking the serpentine channel through the sandbar at the mouth of the Menai Straits. Off the starboard bow, there was the mainland, and the fizz of neon shop signs, halogen street lamps glowing orange, and headlights rising and dipping as cars wound along the main coastal road; there were also the bright spotlights illuminating the crumbling walls of Caernarvon Castle. Off the port bow, on the low shores of the Isle of Anglesey, were more streetlamps and a checkerboard of lighted house windows. There was nothing to do but trust the flooding tide to lift our keel over the shifting sands and carry us into the deeper water within the straits.
We avoided grounding and eventually anchored off a timber public jetty not far past the town. We had intended to sail all the way through the straits on the last few hours of the flood but that would have meant negotiating the reefs in the unlit narrows beyond the Menai Bridge in the dark, a manoeuvre that requires keeping within an oar-length of the eastern shore and regaining the buoyed main channel to Bangor just before the tide begins to ebb. However, piloting the uncertain channel through the Caernarvon bar “by touch” at night, on top of nearly losing my boat in The Tripods in daylight, had sapped whatever nerve I had left.
On the shore opposite where we lay at anchor was the Anglesey village of Tal-y-Foel. From Tal-y-Foel northwards along the same shore to Mol-y-Don, close by the improbably named village of Llanfairpwllgwyngyllgogerychwyrndrobwll-llantysiliogogogoch (it means “The church of St Mary in the hollow of white hazel trees near the rapid whirlpool by St Tysilio’s of the red cave), the inexorable drive westwards of the Roman invasion of the British Isles during the first century AD was almost held to a stand-off by local warriors. In AD61, Gaius Suetonius Paullinus, the brutal Roman commander who would later defeat the famed Celtic queen Boadicea, had decided to eradicate the Druids by overrunning their spiritual home, Insulis Mona – the Roman name for the Island of Anglesey (first named, again, by the Vikings) – and so undermine the resistance of the last undefeated Celtic tribes. At the same time, he could seize control of valuable grain stores to victual his army and of copper mines that would provide the raw material for new armaments.
It was never going to be an easy task. Even Rome’s ingenious miltary engineers could not bridge the fast-flowing tidal waters between the mainland and the island, and the Celts had proven themselves to be skilled if undisciplined guerilla fighters. Led by Druid priests, who invoked dark, animistic forces to come to their aid, thousands of Celtic warriors arrayed themselves along the Anglesey shore. Naked, their skin dyed blue from woad,Fro they screamed taunts at the Roman legions across the straits and beat their swords and spears against wooden shields. Their women danced between them, lighting bonfires from burning torches that they waved like battle standards.
If the intention was to strike fear into the enemy, it worked – for a short while. The Roman line was gripped by a wave of panic and, perhaps for the first time in the Empire’s history, an entire legion flinched. But Paullinus rode among them, rousing them to the fight, and as the tide slackened, his infantry crossed the water in boats – his calvary swam with their horses – under cover of a barrage of fireballs, iron ingots and rocks catapulted onto the opposition from huge “ballistae”, the Romans’ deadly prototype of field artillery. The battle-hardened centurions slaughtered the Celtic warriors, then took to massacring their families. The Druids and their acolytes were burned alive in their sacred oak groves.
Undaunted, the Anglesey Druids, the last remaining in Britain, along with the Celtic tribesmen who venerated them, rose again 17 years later. This time they faced legions led by Gnaeus Julius Agricola, who had been among Paullinus’s officers. Agricola resolved to eradicate the troublesome Druids once and for all and to subjugate this last pocket of Celtic resistance. His men, like Paullinus’s, crossed the straits by boat and staged a bloody rampage that finally wiped out the Druidic priesthood forever and broke the back of the Celtic resistance.
We set sail from Caernarvon early the next morning. The waters, stained a coppery brown by tannin, were mirror-like and still, and reflected the shadowy boughs of gnarled old oaks that overhung the shore. Drifting northwards on the flood tide to the Menai Bridge, I sat cross-legged on the cabin-top and tried to identify the few, stark memorials of the Druids’ last stand on a 1950s Ordnance Survey map: a rise called Bryn-y-Beddau, the “Hill of Graves” where the Celts buried their dead, “the Field of The Long Battle” and “the Field of Bitter Lamentation” outside the village of Llanidan, and Plas Goch, “the red place”. In the windless silence, it was easy to imagine it as an island of restless ghosts.



Friday, June 12, 2009

Northing, part 3, by Creed O'Hanlon

Penygadair, attribution unknown.



Barmouth and Cadair Idris
© Hugh Chevallier



Barmouth Harbour: 52° 48.3’N, 4°44.4’N Whoever spends a night on Cader Idris will wake up either a madman or a poet – or so it’s said. Given what’s known of modern Welsh poets, how does anyone tell the difference?
Legends swathe “the Cader” (which means “the seat”) as densely as the fog that often obscures Pen Y Gadair, its 893-metre peak. Depending on whom you ask, the southernmost mountain of North Wales’s Snowdonia range is named after either a giant, who kicked three enormous boulders down its slopes, or King Arthur, who is said to have founded his kingdom there, overlooking the black waters of Llyn Cau, a bottomless lake.
For us, the mountain was nothing more than a good landmark for a compass bearing as we fixed our position in Cardigan Bay. We had sailed out with the first of the ebb from the tidal harbour of Barmouth, at the mouth of the Mawddach River in the east of the bay, with the intention of making north-north-westwards across St Patrick’s Causeway, a shallow reef of sand, rock and scree that extends nine nautical miles into the bay, before steering north-west by west towards Bardsey Sound between a long island, Ynys Enlli – first named Bardsey, “the island of the bards’, by Vikings who associated it with Christian mysticism – and the Lleyn Peninsula. There wasn’t much time. The spring tide was ebbing, the wind was freshening from the south-west and we wanted to clear the causeway’s dangerous shallows while there was still enough water over them.
Like the Cader, the causeway is the subject of disparate myths. For Christians with a fondness for the miraculous, it was the pathway St Patrick walked to Ireland, 85 miles to the west. To the pagan Welsh, it was the remnants of an ancient low-lying kingdom, Cantre’r Gwaelod, ruled by a Celtic king, Gwyddno Garanhir, which was flooded and submerged when a watchman failed to notice that one of its dykes had been breached. All its inhabitants, except a commoner and a young princess, were lost. The locals swear that when the sea is calm, you can still hear the watchtower bells ringing underwater.
The sea is rarely calm along this coast. Unprotected from Atlantic depressions that slow and deepen as they encounter the Snowdonia mountains, the weather can be windy, cold and wet even in summer. Worse, the water is littered with shoals and bars that combine with an unusual tidal range – over four metres difference between mean high and low water during springs – and fast-moving tidal streams to create some of the most hazardous pilotage in Europe. The locals give the worst stretches colourful names, like The Tripods, an area of seething overfalls – confused, breaking seas caused by a rush of tide over irregular soundings, like the “standing” waves that churn over large rocks in river rapids – off the north-east corner of Ynys Enlli, close by an open bay named Hell’s Mouth.
We almost lost the boat in The Tripods. We carried a fair wind into Bardsey Sound where bravado tempted me to skirt too close to the overfalls. The wind died. Foaming white claws grabbed at the hull and began dragging it towards the lee shore. I pushed the helm a-lee in the hope of turning the boat seaward and filling the sails with three or four knots of breeze as the tidal stream swept the boat sideways. It wouldn’t respond. Spiralling eddies tugged at the rudder, and short, slab-faced waves broke over the decks, filling the cockpit faster than its drains could empty it. What little breeze the sails managed to catch was shaken from them by the hull’s violent pitching and rolling. The low, grey-green cliffs loomed close above like stone-faced thugs.
Then a stray gust filled the flogging mainsail. The sheets cracked in their blocks as they took the strain. The boat dug its gunwales into the sea and it began to gather way, burying the slender foredeck under green water as it ploughed through the breaking waves. It was only when we were less than a mile from the edge of the overfalls, running north in clear wind towards Caeranrvon, with Ynys Enlli falling astern, did I realise that I still holding my breath. The hand with which I clutched the tiller had cramped with fear.
“Ah, Myrddin’s curse,” an old fisherman I met the next morning on the Caernarvon town quay said when I had told him about our misadventure.
“Who?”
“The English call him Merlin. Legend has it that he’s buried on the island in a castle of glass, along with King Arthur, whose body the old prophet brought there after he was killed at the battle of Camlann. To those who believe it, Ynys Enlli is the Isle of Avalon.”
“Not of the Twenty Thousand Saints?” I asked him. The Welsh monk St Cadfan founded a monastery on Ynys Enlli in AD546 and its renown as a place of pilgrimage in the Dark Ages – Welsh bards referred to it as “the holy place of burial for all the bravest and best in the land” – drew so many pilgrims, many of whom died there, that it became known as the Island of Twenty Thousand Saints.
The old fisherman shrugged and smiled. “Ah well, it’s like Merlin and Arthur, I suppose. The saints’ remains have never been found either.”

Thursday, June 11, 2009

Northing, part 2, by Creed O'Hanlon

courtesy Umilta



courtesy Wikipedia







Supeachilles, Creed's vessel for this voyage. Courtesy Creed O'Hanlon

NORTHING part 2
by Creed O’Hanlon

It is not down in any map; true places never are.
Herman Melville, Moby-Dick




Lymington Quay: 50° 45.2’N, 1° 31.7’W Every summer, in every boatyard along the south coast of England, there was at least one crew preparing a yacht for a trans-Atlantic crossing. Most wouldn’t be ready in time – some never would be – but those who managed to work through their endless lists of yardwork, everything from replacing running rigging and reinforcing sails to checking rudder posts, pintles and gudgeons and antifouling the hulls, might finally cast off in early autumn and make for the warm waters below the 35th parallel.
The usual track was south-west, passing well offshore of the fearsome reefs and tidal races around Ile D’Ouessant, at the south-western corner of the English Channel, to cross the unpredictable maw of the Bay of Biscay to Cape Finisterre (in English, “the end of the world”). From there, they would make either for Gibraltar, at the entrance to the Mediterranean, or, more likely, the volcanic Canary Islands, off the coast of southern Morocco, where, like Christopher Columbus’s exploratory fleet 500 years before them, they would rest, make repairs and reprovision while they waited for the North Atlantic hurricane season to abate. Sometime in November, they would set off south-west again towards the Cap Verde Islands, standing well off the African coast. After drifting through the humid calms and sudden rain squalls of the Horse Latitudes (a region between the 35th and 30th parallels dominated by a sub-tropical high and so named because, according to tradition, ships often lay becalmed for weeks there and their crews, fearful of running out of water and victuals and, worse, becoming afflicted by scurvy, threw cargoes of hungry horses and cattle overboard) they would pick up the north-easterly trade winds and, at last, alter course westwards, freeing their sails. A relentless wind off the starboard quarter and an easy following sea would carry them on an even keel all the way across the Atlantic to whatever islands in the Caribbean they might be bound.
I had lived and worked on the sea for half a decade. I had crossed the Atlantic twice, both times from west to east on a northerly route that took advantage of the Gulf Stream and the prevailing westerlies but was always hard, cold sailing, and never without a gale springing up within one of the low-pressure systems that followed one after the other with tedious frequency across the Atlantic’s higher latitiudes. Once, during a leaden English winter, while I was helping a friend rebuild a 50-year-old Hillyard cutter in a cluttered boatyard on the Lymington River, relaying and caulking its timber decks in the few hours of rain-less daylight, I thought about sailing with him on the long, warm-water voyage to the southern Caribbean that he had planned for the following autumn.
And yet I knew somehow that I wouldn’t. There were no clear skies, fair winds or landfalls on palm-fringed cays in the voyages I made in my imagination; instead, the coasts were tree-less, steep and rock-strewn, beset by fast-running tidal streams and angry seas the same colour as the slate-grey skies. I daydreamed of high latitudes, of retracing routes once sailed by Norse longships, Phoenician and Celtic traders (the Veneti, a Celtic maritime tribe, ferried tin mined in Cornwall to the Gallic mainland), imperial Roman battle fleets and and even the leather-hulled curraghs of fifth-century Christian monks. A trade-wind passage was dull compared with the demands of navigating the treacherous jigsaw of reefs, skerries and precipitous islands and the constantly changing weather conditions to the west and north of Wales, Ireland and Scotland, where tidal races tripped over jagged shoals faster than a small yacht could sail.
But there was more. In the north, every headland, channel, loch and narrows was haunted by legends – and a few, by dark superstition.
“Maybe one day you’ll fetch up in Ultima Thule,” my father would tell me. It was he who first told me about Pytheas of Massalia, a Greek who, in 330BC, set out from what is today the Mediterranean coast of France on one of the first recorded voyages to the far north Atlantic. In his book, About the Ocean, which has been lost for more than a millennium but is quoted in other ancient texts, Pytheas described landfalls on the British Isles and possibly Ireland, after which he voyaged northwards for six days to Ultima Thule, which he described as being at the edge of the known world – just a day’s sail from what he called the Cronian (or Frozen) Sea – where the nights were very short and in the gelid mists, the earth, sea and air became indistinguishable from each other. The exact position of Thule was lost with Pytheas’s work and although, over the centuries, famed explorers such as Columbus, Sir Richard Francis Burton and Fridtjof Nansen claimed to have found it on coasts as distant as north-west Norway, Iceland and the Shetland Isles, it’s unlikely any of them did. As the contemporary author and Thule researcher, Joanna Kavenna, has written: “Ultima Thule was a land beyond the reach of humans, a place entwined with the outlandish – unipeds, the seven sleepers, a great whirlpool at the Pole, the ocean’s navel.”
Still, the iron-bound coasts and windswept seas that had to be negotiated even to have a chance of reaching it were the birthplace of many of our best-remembered legends, first told in millennia-old languages that still endure.

Wednesday, June 10, 2009

Northing, part 1, from Creed O'Hanlon


Muckle Flugga lighthouse



The author at 24, Berthon Marina, Lymington, Hants, UK.


editor's note: Creed has generously shared this series with me for publication. It first apppeared in Australia in the Griffith Review.




NORTHING

by Creed O’Hanlon

It is not down in any map; true places never are.

Herman Melville, Moby-Dick

Muckle Flugga: 60° 51.3’N, 00° 53’W Sunset in summer, in the high latitudes of theShetland Isles, is an uncertain hour the locals call “Simmer Dim”. The sun touches the horizon at around 11pm, and as its lower edge is drawn into the bleak, gunmetal oiliness of the North Atlantic swell, the pale umber cast across the high seaward cliffs begins to recede into shadow.

The light dims, but if the moon is full, the stubborn gloaming refuses to surrender to darkness. A couple of hours later, the sun will rise again, although on many days it will creep above the horizon unseen, shrouded by leaden stratus clouds that descend with the deep depressions that track north-eastwards across the Atlantic to rile the fast, south-going current of the North Atlantic Drift.

We had set off three days earlier from Castle Bay, on Eilean Barraigh (Barra Island), in the Scottish Western

Isles – my friend, Michael Moulin, and I, aboard a fragile 7.5-metre yacht more suited to inshore day sailing

than the long sea passages that were necessary to get as far as the Western Isles, let alone the Shetlands. We

had weighed anchor at dusk and drifted from the lee of the high stone walls of Caisteal Chiosmuil (Kisimul

Castle), the 600-year-old water-bound redoubt of the Clan MacNeill that rises from a reef in the middle of the

bay. Then we reached under full sail through the narrow, rock-strewn channel between Barraigh and the

southern island of Vatersay to the white-capped swells of the Atlantic, before bearing away north-west

towards St Kilda, the grim shark tooth of barren, uninhabited peaks and rocky skerries that forms the

westernmost island group of Britain.

Our course was plotted in the wake of Viking longships that made their escape through these waters from raiding parties to Ireland and the west coasts of England, Wales and Scotland a thousand years ago. They ran for the safety of the open sea on homeward voyages that would take them either north-east to the wide channel between the Orkneys and Sheltands then east to the Jutland Peninsula and the Baltic Sea or, like us, even further north, past the small, rugged islands of Sula Sgeir and Rona – more isolated even than St. Kilda – to a landfall on Unst, the most northern of the Shetland Isles, before rounding an outcrop called the Outer Stacks and laying a course to the fractured coast north-west of modern-day Stavanger, in Norway, where long, witch-finger fjords had been cleaved between high, sheer walls of rock by the stormy Norwegian Sea. Sailing deep within them, across sheltered waters as still and dark as molasses, the Norsemen would at last reach home – small, fortified settlements built close by the shore on rich grasslands coloured with star hyacinth and purple heather and backed by sloping stands of pine, spruce and juniper.

We had made our landfall off Gloup Holm, a small island off the north-west corner of Yell, one of the larger Shetland Isles. We had drifted a little further eastwards than we had planned. Two nights before, we had been forced to reef – and later, to hand – our sails in a rising south-westerly wind that veered westerly as we rounded St Kilda and became a severe gale. The steep following seas gained height and power as they rolled in without obstruction from the Atlantic and crossed the continental shelf. Solid water tumbled over the yacht’s transom into the open cockpit, sweeping us from our seats. Steering by hand became too dangerous. We lashed the tiller to leeward and let the boat drift a-hull as we took refuge in the cabin. More than once, a breaking crest tipped the yacht onto its gunwales, laying its mast in the water. We held our breaths as the hull shuddered, then plunged, as if in slow motion, down four storeys through the wave’s foam-streaked, perpendicular face. Only in the eerie, momentary windlessness of the trough did the righting moment of the vessel’s lead keel assert itself to lever the rigging from the sea.

Now the wind had dropped. The grim scud had dissipated and the swell, tinged a muddy brown by the churned-up detritus of the sea bottom and run-off from the shore, was a long, gently undulating lope. In a dying breeze, we closed the cliffs of Herma Ness to round the rocky outcrops of Muckle Flugga and the Outer Stacks. Atlantic puffins, clown-like birds with unlikely white and black heads, orange and black striped beaks and squat, rotund black bodies that even penguins would find ungainly, bobbed at the edge of deeply serrated skerries atop which otherpuffins protected nests, each containing just one precious egg, from predatory gannets and guillemots.

Sixty metres above the rookeries, on a lump of black rock too small to be called an island, loomed the Muckle Flugga lighthouse – a whitewashed stone tower, the only man-made structure on that line of longitude between the top of the British Isles and the North Pole. It was built in 1858 by David Stevenson and his brother, Thomas, father of the writer, Robert Louis Stevenson,who visited the light with his father and later, it is said, used a map of the tree-less island of Unst, off which Muckle Flugga lies, as inspiration for his novel, Treasure Island.

Friday, June 5, 2009

Decaying Weapons of Mass Destruction/Typhoon Class



















all photos courtesy Igor



My enigmatic and recently reclusive blogging mentor and good friend Creed O'Hanlon resurfaced briefly to send me a communique pointing to  this uncanny and astonishing photo essay on the retired fleet of Typhoon class submarines. The largest submarines ever built, they were, in their day, considered to be the most feared weapon of mass destruction ever created. There are many more photos and some text, in Russian, here.

Thank you, Creed.

Phil Bolger Tribute

Payson Pirogue, courtesy Bill Samson


 
June Bug, courtesy Bill Samson


Bill's Chebacco


A little while back I encouraged my readers to send me their reminiscences of Phil Bolger along with any Bolger boats they might have, and I've gotten some responses. First up was Bill Sampson, aforementioned as the longtime editor of the Chebacco News. I asked Bill about the Chebacco and his other Bolger Boats...

Hi Thomas,
 
The Chebacco was great.  It's big for an unballasted boat - a "dinghy on steroids" was how one friend put it!  So it tends to heel a lot and works best with two or three people aboard to give enough live ballast a breeze.
 I sold it back in 2002 when kayaking took over as my main interest.  Two owners later it's still being sailed most weekends!
 
Bill

Phil Bolger
My first paddling boat was a stitch and glue open canoe called the Payson Pirogue, designed by Phil Bolger “the Wizard of Gloucester”.
Phil’s philosophy was to question accepted wisdom in boat design, and to push the envelope.  His resulting designs were mostly accessible; in that a reasonably competent home woodworker could build them from readily available materials.  In all cases, form followed function.
I had such a great time paddling the pirogue that I decided, in 1992, to investigate other designs by Phil to find a bigger craft that would suit my local sailing conditions, and I chose the Chebacco – a 20 foot sailing cat-yawl.
In 1993 I took a vacation in New England with my family, so I wrote to Phil to ask if I might visit him on “Resolution” - the boat he was living on at the time.  He was more than happy to meet up so one hot July afternoon we arrived to find him there.
He was slightly built, with a surprisingly deep voice.  He was keen to pull out his latest drawings to show them to me and explain the reasoning behind each design.  We sat there for a couple of hours while we went through them.  He took me to Dave Montgomery’s yard to show me the prototype of Microtrawler, which was just about ready to launch.  I also saw the strip-built kayak that Dynamite Payson had built to Phil’s design – a very elegant craft indeed, and much used by Phil.
I never met him again, but we continued to correspond when I became editor of Chebacco News – a newsletter for builders and sailors of Chebaccos.  These can be found at www.chebacco.com under the ‘Old Articles’ tab.
During the years of our correspondence I found we shared an enthusiasm for Arthur Ransome’s ‘Swallows and Amazons” series of books, and we swapped books and information about these.
Phil leaves a phenomenal legacy of some 680 designs.  These range from the tiny ‘Shoebox’ tender, to the Frigate HMS Rose, that featured in the film “Master and Commander”, where it was used to represent HMS Surprise.  He designed a number of canoes and kayaks – most of them delightfully simple.  His designs range from achingly elegant powerboats to some very bizarre-looking craft that turned out to be surprisingly effective in their roles.  One such was June Bug – a slab sided, plumb-bowed tender that turned out to be extraordinarily stable and seaworthy.  I built one of these and it was known locally as “the Battleship”.
He published several books of his designs, each a delight to read.  His essay about each design covers its rationale in terrific detail, and is sometimes accompanied by a short story which sets the scene for how he envisaged its use.  His self-deprecating wit was priceless, too.
Phil Bolger was a one-off.  He is irreplaceable.  He will be sadly missed by all who encountered his designs, his boats and his writings.






Loose Moose, courtesy RLW

I also heard from Bob of BoatBits who has also built several Bolgers as well, including the advanced sharpie above, Loose Moose. Bob says:

By the way I'm glad to hear that someone like 70.8 is doing something on 
Phil as over the last couple of days I keep reading stuff from people 
who don't quite get what made Phil so important... It was not the 
sharpie or the home builders boats it was simply that he was this 
brilliant guy who knew more about boats and rigs than anyone and never 
allowed himself to do the same old same old. He simply did what felt 
right and in doing so he allows the rest of us to do it as well.

There's a good deal more on Phil on Bob's BoatBits Blog.





these two photos courtesy David Anderson

David Anderson responded by writing a post on his blog and sent me an email heads up. He said this about the two boats pictured above, but there's lots more here.

The first, was a sort of box boat, warped to get the aesthetic I was after. It was commissioned by my Mom and her husband Bill to fit exactly in a virtual box, the space just behind and no higher than the roof-mounted air conditioner on their motorhome. Twelve and a half feet long, thirty inches or so wide, and fifteen inches deep. Stable with capacity for two. The result was a modified punt.
The second boat shows the Bolger influence perhaps a bit more directly. Ironically, I ended up strip planking this boat despite its design for sheet construction and with no beveling required on account of the plumb sides. In fact, I glued up the strips in panels on the floor and then wrapped them around a jig as if they were plywood. The result was an "Electric Slipper Canoe." Dig it.


And finally, Paul Glassen of Brtitish Columbia sent this, sorry, no pictures.

I have been reading Bolger for 40 years starting (with articles) before the publication of Small Boats in 1973.  My copy of it is yellowed and well worn.  My copy of Boats with an Open Mind is also well worn and indexed with post-it tabs for favourite designs.  And, inevitably I have built several of his designs up to the twenty foot sharpie Otter, a very old design now but one that foretold many of the directions his designs would subsequently follow.
I met Bolger briefly at Mystic Seaport, Connecticut, in the mid-1970s.  Our exchange at that meeting became the basis of an amusing correspondence twenty years later.  I told him I had built several Yellow Leafs (Leaves?) with the kids in a school boat building program, only, for the instructive value, we had built them out of solid timber with cross-planked bottoms and cotton caulking (and seats and oarlocks for rowing).  His reaction to this information was to exclaim rhetorically, "What did you go to all that work for!?"  The design of course was intended as one of the first 'instant boat' builds with the expanded sides laid out for lightweight, even disposable, plywood/lumberyard materials. 
Many years later Bolger designed an economical version of Herreshoff's Rosinante, called Burgundy, if memory serves, to be built 'instant' style but with solid timber and cross-planked bottom - just the way I had built the Yellow Leaf(ves) years before.  He credited the idea for this construction to one of his professional boat building friends.  Writing to inquire about another matter, I couldn't resist chiding him that had he listened to this brazen amateur that day at Mystic he would have come to the construction idea some years earlier.  Gracious as always, he wrote back thanking me for "the good letter" and conceding the point.
 
R. Paul Glassen
Nanaimo, Vancouver Island
British Columbia


Friday, May 29, 2009

Roger Taylor's 'Mary Ellen' is available

courtesy Mick King



courtesy Hugh Bourne




courtesy Roger Taylor


Roger Taylor, skipper of Mingming,  and author of Voyages of a Simple Sailor is reluctantly offering his 1934 Gaff Cutter Mary Ellen for sale. Roger is preparing to leave shortly for the Arctic Ocean on Mingming, and gearing up for the 2010 Jester Challenge. Here's the lowdown:

Mary Ellen was built in 1934 by Kidby and Sons, Brightlingsea, Essex. They were builders of fast smacks and built her to their own design as a gentleman's yacht for a local farmer. The hull shape is that of an Essex smack, but with a spoon bow and a transom stern.
LOA 38'
LOD 30'
Beam9'
Draft3'3"
Heavily double sawn oak frames, pitch pine planking, solid mahogany interior, all original. She displaces approximatly 7 tons, has 4 berths in 2 cabins, and a Vestus c.550. 
Since 2000, Roger has been making steady improvements, including: 
Refastening the hull with bronze screws.
A new hollow spruce mast and yard.
A new Douglas fir boom and bowsprit
New sails by James Lawrence of Brightlingsea
New hand spliced standing rigging
New blocks and running rigging

Roger has an extensive archive on the yacht, which has been cruised as far as St. Petersburg.


Asking £12,000. GBP, or just under $19,500. US.
Interested parties should contact me via email (available at the top of  this page) and I'll put you in touch with Roger.


Thursday, May 28, 2009

A Request to Bolger Fans

courtesy Bill Samson




I'd like to ask readers who have built, bought or commissioned a Bolger boat to send me an email with your story and some photos. I'd like to do a small tribute to a great designer in this way as Phil worked so often with home builders in mind. Please send your stuff via email, available on the right. 
Bill Samson, a former editor of The Chebacco News and home builder of Bolger boats, as well as an avid skin on frame kayak builder, built the Chebacco seen above. Bill and I met through the Qajaq USA Greenland Forum and let me tell you, this man is a prolific boatbuilder (there are more  of Bill's Bolger boats and a reminiscence for later). 

Thanks Bill.

Send me your stories, and a couple of photos.

Michael Bogoger, aka DoryMan, wrote me suggesting I include designers influenced by Phil Bolger, and I agree! An oversight on my part. 

Let me hear from you!

Wednesday, May 27, 2009

Iain Oughtred and Nic Compton's beautiful biography

Nic Compton's new volume on Ian Oughtred, published by and available now at WoodenBoat
courtesy WoodenBoat


Iain's Elf, after the Hardanger Faering
courtesy Bootbouwer



A sailing version of the Acorn Skiff, the design credited with 'making' Iain's career



The Arctic Tern, says Iain, is a 95% scaled down Ness Yawl. These boats take their inspiration from the Shetland Yoals, but are lightened and narrowed for faster recreational performance. This example has a gunter sloop rig,  giving increased windward performance



Jeanie II, the prototype for the Arctic Tern, named for Iain's mother.


The Arctic Tern profile drawing as found in Iain's design catalogue, a desirable piece of literature, which can be ordered from Iain . Find his mailing address below.



For comparison, here's a photo of a Shetland Yoal, a foureen from about 1895 with a high peaked lugsail, found in " Inshore Craft of  Britain" by Edgar J. March



Interor view of a JII or Arctic Tern built by Andrew Kitchen



One of  Iains most popular designs, the Ness Yawl
this photo was originally taken by Owen Sinclair from his Welsford Navigator and is of John Hitchcock's Ness 



Bumblebee Pram, courtesy Strathkanchris



Macgregor sailing canoe, also courtesy Chris Perkins, aka Strathkanchris,via Intheboatshed



Here's Iain sailing a sprit rigged Elf
courtesy Bootbouwer



Cover of  Iain's design catalogue which is in itself a formiddable work of art.
Order from iain direct at the address given below.



Albannach, or Alba, Iains own Ness Yawl, is now for sale. Details here.
I believe this boat has won a Glen Raid or two



A Wee Seal at the Port TownsendWooden Boat Festival (I have no idea what year)
courtesy John Welsford, a formidable small boat designer in his own right, via  Duckworks Magazine



Eun Na Mara



Haiku, Iain's interpretation of Ralph Monroe's noted sharpie Egret
There's an article on the designing and  building of this wishbone cat ketch to be found in Water Craft #61



I've included this photo simply because I found it compelling, a Ness or Caledonia Yawl, most likely, but I was intrigued by the extended stem and stern  posts, a more traditional Norwegian detail
courtesy Bootbouwer




Author Nic Compton, in colusion with WoodenBoatBOOKS and Adlard Coles has produced a sumptuious feast of a biographry about Iain Oughtred, his life and his designs. It takes one from Iain's early years in Melbourne and Sydney, his migration to Britain and his participation in the wooden boat revival there, and his eventually settling in his adopted homeplace, beloved Scotland. It also chronichles the arc of his career and follows the development of his design philosophy. The book also includes a beautiful design catalogue. Copious photographs accompany and illustrate the text. Biographies are often slow going, even a bit moribund, but for me this one (so far anyway, I haven't finished) reads more like a thriller, pulling you forward, wanting to find out what happens next. Iain started his sailing career as a racer and has  not denied these roots in his design, even as he turned more and more to maritime tradition for his inspiration. His entire ouerve has seen him grounding his designs in seaworthy tradition while updating them for contemporary use, building techniques and speed. He has been instrumental in putting forward the lapstrake plywood/epoxy building program (he wrote a book on this technique), and his design always takes into account the homebuilder. Mr. Compton has knit all this together into a flowing narrative that stays out of the way and allows the story unfold like a satisfying afternoon sail. Highly recommended. Iain Oughtred's life is and has been an extraordinary journey and this book is testimony to it.  Amazon is taking orders, but you can get the book now at WoodenBoat. I suggest you do so.  Iain doesn't maintain a web presence but some of his plans are available through WoodenBoat, Classic Marine, Jordan Boats UK or directly from Iain  the old fashioned way, here:

Iain Oughtred
Struan Cottage
Bernisdale
Isle of Skye
IV51 9NS

Tel: 01470 532732

 Iain is selling his Ness Yawl, Albannach, offered on the Jordan site.



Tuesday, May 26, 2009

Phil Bolger

The hard chined Chebacco, this one from Openboat in NZ.



Phil chatting with Chebacco owner Ben Ho
courtesy the Chebacco website



Phil Bolger with partner Susanne Altenberger



Phil Bolger took his life yesterday. From what I've read, he had his reasons. Someone suggested, recently, perhaps a little ironically, that I would soon be writing about Iain Oughtred and Phil Bolger. I replied that yes, I would soon be writing about Iain as I had just received his recent biography. I didn't respond about Phil because I've always viewed him as a little larger than life and so was more than a bit in awe of him. Such encompassing genius. Conventional and unconventional, iconoclast and icon. I do regret never meeting him. And I miss those wonderful cartoons he did in the Small Boat Journal. So as a small gesture, I'm putting up a photo of my favorite Bolger design, the hard chine version of Chebacco and a couple of others. Curiously, I worked into the wee hours last night on a post about Iain, which will be up soon. Life is strange, sometimes.

Phillip, may the force be with you.

There's more here.

Saturday, May 23, 2009

Around without instruments:Marvin Creamer celebrates the 25th anniversary of his circumnavigation

Map of the route taken by Globe Star
courtesy globestar.org



Globe Star
courtesy globestar.org



Heavy weather
courtesy globestar.org



and here



Marvin being feted
courtesy Liz Lourie



Marvin Creamer
courtesy Liz Lourie



Marvin explaining 'Transit Meridean' to me
courtesy Liz Lourie



There was a party for Marvin Creamer last Sunday. Celebrating the 25th anniversary of Marvin's amazing circumnavigation without using instruments. No sextant, no compass, certainly no gps. No clock! Only an hourglass for timing watches. Marvin first conceived this adventure during long night watches while cruising, mainly in the Atlantic. He put his ideas into practice on three Atlantic crossings prior to his circumnavigation. A geography professor at what was then Glassboro State College (now Rowan University), the professor worked out the problems such a voyage represented using mathematics  the stars, wave direction, bird life and in the daytime, using an "overhead point and sky geometry". He had read David Lewis'  'We the Navigators', he told me, from cover to cover. Marvin says the real motivation here was not to win glory but rather the intellectual challenge of working out such problems and the satisfaction of having done so. And satisfied he is. At 93, Marvin seems as intellectually sharp as he must have been at the time of his excellent adventure. He's a seemingly inexhaustible source of stories and anecdotes and is adept at explaining his methods to those of us less navigationally gifted.
While these ideas had most certainly been fermenting somewhere in the recesses of the professor's mind, it was chance which really brought them forward. My chronology may be off here, but it went something like this...during a cruise to England and back to NJ, the failure of a compass light gave Marvin the opportunity to use the stars to sail by, and he contemplated what it would be like, what it would feel like, to cruise without the 'toys'. In 1978 he deliberately made a return voyage from Ireland using no instruments and arrived at his destination only 4 miles off his mark. Feeling that his ideas and techniques were thus confirmed, he set off for Pico, off the coast of Africa in 1980. On that voyage he turned back (a little) early due to protestations from crew about 35' seas. The return was made again without instruments and Marvin was able to find both the Cape Verde Islands and Bermuda on the way back to NJ.
He was ready, and shortly after retiring, Creamer, now in his mid 60's, and crew set off from Red Bank Battlefield on December 15, 1982 having received much help in their preparations from local people. Initially sceptical they were undoubtedly won over by Creamers confidence and enthusiasm for his project, which remains unabated today. They returned May 2o, 1984, proving Marvin's theories and having never opened the sealed package of instruments carried on board. The biggest challenge, said Marvin, was how to get 'round Cape Horn in overcast.
You can delve into the solution of that problem, and many others by purchasing a DVD put together by Ralph Harvey, webmaster for the Globestar website.  The DVD includes powerpoint presentations by Ralph, the entire Furled Sails interview w/Marvin, and an unpublished manuscript of Creamer's book The Voyage of the Globe Star. Contact Ralph" here. Marvin says that prospective publishers have declined the project, because there is too little tragedy in the book, and the adventure is primarily an intellectual one. So if anyone is interested, contact me. I'd like to thank Ralph for inviting me to the celebration, giving me the opportunity to meet himself and Marvin and hear his story firsthand and for hosting the website. And of course,I'd like to thank Marvin himself and congratulate him on his marvelous achievement.

I would have posted this story much earlier but for difficulty in posting video on blogger. Ultimately I am unable to do so, always encountering error messages. Any readers who know how to work around these problems, please write me.
 Thomas


Thursday, May 14, 2009

Kayak History 2.3. The Historian Builders: George Dyson

435 West Holly Street 



Frames displayed at the storefront



Dyson Baidarkas



Double bat wing sail.



George and his father Freeman



Here, three generations



Interior of a Dyson boat with a redwood floor



Another interior, this one is a James Shields replica



Imitation Sinew, one of the products availanle at DB & Co.



Here's a sample of George Dyson's drawing skills.



Opening Day at the new bar



George relaxing, I think, opening his bar



All photos courtesy Thomas Gotchey




Certainly the single most important figure in my developing interest and understanding of the traditional kayak has been George Dyson. First I read the Starship and the Canoe, Ken Brower's book about George and his father Freeman Dyson, a noted astrophysicist which takes one through Georges early years, his treehouse in the woods near Bellingham  and his discovery of the badairka. Next came George's opus on the history and evolution of baidarka, aptly titled, Baidarka! It was a revolution for me in the mid eighties, informing me of the Russian history in Alaska, and the development of the baidarka before and after European contact. George also applied high tech materials to skin on frame constuction, aluminum for the frame, high strength nylon for skin, introduced a sailing rig, all without compromising the basic Aluet design genius. And began to build them. And to help others build them. And to make the materials available , through Dyson Baidarka and Company. In a phone conversation with George in the 80's, he was affable and encouraging. I doubt that has changed, notwithstanding the fact that he has since become a highly respected author of books on the history of science with Darwin Among The Machines: The Evolution Of Global Intelligence and Project Orion: The True Story of the Atomic Spaceship. For many years Dyson, Baidarka and Company have maintained a storefront space at 345 West Holly Street in Bellingham as a workshop and showroom, and recently added another public amenity, a bar! Almost too good to be true, but there it is. I am indebted to Thomas Gothcy for the photos and his communication on George. Thomas helps with the store and the builds. He is also responsible for these great photos. A climber and ardent hiker, you can find out more about Thomas here. I would like to add in closing, that I think that Mr. Dyson's kayaks are some of the most beautiful I've ever seen. You can write to 431 W Holly St. Bellingham, WA 98225 or phone 1.360.734.7226.

Friday, May 8, 2009

PROA 1.1 To the ...Sublime: Bernard Smith and SailRocket

cover of  the Forty Knot Sailboat



an early model



and another



monomaran



fliptracker



minifliptracker

all photos above  courtesy Paul Dunlop










I was generously loaned a copy of Bernard Smith's "'The 40 Knot Sailboat" today by a client and friend who is also a sailor. It has reignited my interest in this obscure genius. By 'co-incidence' (Jung)  Sandy K @ Casco Bay Boaters posted today an article on the Vesta SailRocket. SailRocket is attempting to set the world record for sailboat speed. She has achieved  an astounding speed of 52.26 knots. This entire project is based on and inspired by the work of Bernard Smith. A civilian employee of the U.S. Navy, Smith had yearned from an early age to create the fastest sailboat ever. He took inspiration from the phenomenal performance of the indigenous Pacific proa. He began his research and experiments on his own time building models to test his theories, but eventually the Navy took notice and funded his research and the development of full sized craft. The results are unconventional and astounding, and his models have a charm and beauty that is as unexpected as it is welcome. There's as much an artist at work here as an engineer. The vessels take proa as a starting point for investigation and then just fly. His book  40 knots begins with an history of the evolution of sailing craft, and though I've  just begun to read, it is, surprisingly, engaging and warm and not just straightforwardly technical. Smith even make apologies to the mathematically challenged that some mathematics must be involved. And this is in1963! The start is promising, I don't know what I'll learn from this book, but I believe it will be an enlightening journey. There's scarce little information on Bernard and his projects on the internet, but there's a very informative site titled 'Mr. Smith's Amazing Sailboats', which has been my source and guide. It was built by Paul Dunlop of Christchurch NZ, has lots of good information on Smith and his work and is highly recommended. Bernard Smith followed up his first book with a second, further exploration of  his passion and investigations and recounting the results in'Sailoons and Fliptrackers'. Anyone who has additional information on Bernard and his explorations of aerohydrodynamics, please share.

PROA 1.0 From the Sublime...: Enewatak Walap of 1992

courtesy Gary Dierking, Outrigger Sailing Canoes



© Dirk Spennemann 1999– 2005



© Dirk Spennemann 1999– 2005



© Dirk Spennemann 1999– 2005



© Dirk Spennemann 1999– 2005



© Dirk Spennemann 1999– 2005



© Dirk Spennemann 1999– 2005



© Dirk Spennemann 1999– 2005


Professor Dirk HR Spennemann at  Charles Sturt University, Albury, Australia, has a research project on the web which chronicles The Marshall Islands as part a digital library of Micronesia. It's a compilation of the culture, history, anthropology, geography, politics and all things Marshall Islands. He has a page devoted to a replica proa built by the project group Waan Aelon Kein which translates as 'canoes of our islands'. This magnificent replica of a Marshallese voyaging proa was launched in 1992 and thankfully Prof. Spennemann has documented his* launch day. It was the project of an initiative headed Dennis Alessio called Waan Aelon in Majel,  which endeavors to impart skills and relieve unemployment among Marshall youth. I found Professor Spennemanns essay through this website, which  is the work of Joseph Oster and which I found  through Michael Schacht. The Waan photo links back to Gary Dierking who supplies an evaluation of its performance written by Dennis Alessio. If you have  an interest in these boats look at all these sites. There's a wealth of beauty and information here.  This Walap may be seen as the culmination of centuries of evolution in proa design by the people who populated the Pacific islands using their extraordinary navigation skills. More later.

*His refers to the proa, which are masculine as opposed to European boats femininity.